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A method that Liberace manages to impart with extreme spontaneity. The method is now back in vogue thanks to the book “Drawing Course” -from the original “Course de Dessin”- reworked thanks mainly to the efforts of G.Ackerman, Graydon Parrish and Daniel Graves who edited the book with a written part – the original book produced by the authors was devoid of captions and texts – and in which are contained 197 masterful lithographs of subjects to copy for those who want to learn the art of drawing before experimenting from life or nature. Liberace started, in his process, using the Bargue method: a clear and precise method developed by Charles Bargue and Jean-Léon Gérôme about two hundred years ago and based on the study of casts of classical Greco-Roman works, master drawings and drawings of male.
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Portraying the image of his daughter Ava from a photograph, Master Liberace highlighted, live in front of dozens of people, the importance of the hand-eye connection that proceeds naturally and as such does not allow itself to be overwhelmed by the mind in the elaboration of the artistic process. What better artist than Robert Liberace could introduce a delicate and sometimes underestimated topic like this? The day was entirely dedicated to the theme: “The Eye and Hand Connection”. First day of pre-convention workshops for “The Art of The Portrait,” the Portrait Society of America’s annual convention, now in its 23rd year.